With a quality and quantity of protagonists (both established and emerging), artworks, languages and ideas that make it both original and unique. Imago Mundi promotes artists internationally through participation in events and exhibitions in collaboration with private and public institutions across the World: from Venice (Biennale 2013) to Senegal (Dak'Art Off 2014), from Rome (Museo Carlo Bilotti, 2014/2015) to New Orleans (NOMA, 2014/2015), from Vienna (Belvedere & Winter Palace, 2015) to Turin (Fondazione Sandretto Re Rebaudengo, 2015) and Venice (Exhibition "Map of the New Art" at Fondazione Giorgio Cini, November 2015). Dated to no earlier than the 9th century BC (with a late 8th or 7th date being more likely), it includes a brief and partially lost textual description. In the current climate of arrested utopias, attacks on cultural heritage, assaults on imagination and knowledge, Luciano Benetton’s global art project presents exhibitions that offer an art without borders that breaks the silence, transcends differences, pushes civilization towards new horizons. Imago Mundi, or in full Imago Mundi: International Journal for the History of Cartography, is a semiannual peer-reviewed academic journal about mapping. The Babylonian Map of the World (or Imago Mundi) is a Babylonian clay tablet written in the Akkadian language. Lanham, MD: Rowman and Littlefield, 2021. Edited by Luis Lobo-Guerrero, Laura Lo Presti and Filipe dos Reis. This partially broken clay tablet contains both cuneiform inscriptions and a unique map of the. ![]() ![]() A close-up view of the Babylonian map of the World. It is one of the oldest known world maps (if not the oldest) and certainly the most famous one. ![]() Imago Mundi has brought to its exhibitions a positive image of the World. Mapping, Connectivity and the Making of European Empires. The Babylonian World Map, also known as Imago Mundi is usually dated to the 6th - 7th century BC.
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